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Matt Kieley
01-19-2008, 10:51 PM
I've been trying to keep a diary on the making of my first feature film online, so I thought I'd talk about it here too. It's mainly for posterity, and to keep me going. First off, I decided to start making a feature, as I feel I've outgrown the short film format. I wanted to start painting on a bigger canvas, so to speak, and I thought ti would be a new challenge for me.

So for nearly two years, I've been trying to get a feature film off of the ground. For about six months I wrote various drafts of a script about an amnesiac plagued by people who claim he wronged in the past. I even went as far as to cast it, and have a table read of the script. A couple of factors went into why I didn't make that film: 1. The Script just wasn't that good, and 2. The Actors were good, but not as right for their roles as I thought they were initially. I also knew in my gut that it just wasn't the kind of film I needed to be making at that point in my life. I abandoned the film for something more personal.

In September 2006, I started writing this film, which was called "Next Exit" at the time, and was much more character/dialogue-driven than the previous script, which was very plot-driven. It's gone through different incarnations and storylines, but the characters have always been the same. For this story, I decided to throw away conventional plot in favor of a day-to-day portrait of a small group of characters and the incidents they experience. The story is told through four characters' points of view, via their dialogue and their behavior/actions. 14 months, six drafts, and three titles later, "Next Exit" became "Romantic Misadventures" (well, for now, until I can think of a better title). It's about four young friends coping with the tragedy of heartbreak, and their attempts at finding love again.

So for a couple of months now I've been trying to get things done, pooling a crew together, getting ready to (hopefully) start casting.

The production crew as of now consists of me directing and shooting

My friend Corey Ferdinand (who is also a filmmaker) will be doing sound.

His fiancee Shannon Willette (who is also my friend) will be doing production design (fabricating and arranging wardrobe, dressing the set, doing props and graphics, to a lesser extent, as well as the artwork of an artist character--she's really, really talented in all of these areas). Check out her arts and crafts stuff on myspace: Juice Box Love (http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=184609774)

A very talented local make-up artist, Rachel Contreras, will be doing, well, the make-up.

There will also be a few more friends who might help out, doing various grip jobs, and I have a few talented photographer friends who will do the production stills.

As for post-production:

I'll be editing.

The score and sound design will be done by this talented composer from the netherlands, Herman Witkam. Right now Herman is scoring my next short film, as a sort of "practice" long distance collaboration. And so far, it's working great. Check out his stuff: http://herman-witkam.com/

My friend Benn Wheeler (and his band Cockeyed Caucasian Cockfight) will be creating some songs for the film. Check them out on myspace: www.myspace.com/cockeyedcaucasiancockfight

As for the current casting situation: Kimberly Chin, a former teacher, now friend, and theatre director, will be helping me find actors. I also have an actress friend who's involved in local theatre, who's passing the script around to actor friends of hers, and helping spread the word. Casting is the most important step, as this film so heavily relies on the characters and dialogue. Bad acting, and improper casting will ruin this movie. I hope this goes well, as if there's no cast, there's basically no movie.

I'm going to update this thread with production journals, once things really get going.

Apocalypse WOW!
01-19-2008, 11:18 PM
awesome stuff! good luck to you.

Matt Kieley
01-23-2008, 04:50 PM
Been thinking of new titles, or key words for a new title.

Firstly, I'm thinking of the word Quixotic. I think it especially describes max, and the other characters, to lesser degrees. I'm thinking of using simply the word "Quixotic" or pairing it with another word, perhaps "Delusion" "Dream" something like that.

I was also thinking of "Fool's Paradise" or creating the opposite, yet similar made-up term "Fool's Misery"

I like "Quixotic" a lot so far, and was thinking of pulling a pulp fiction and putting up the definition at the beginning, maybe even on the same title card as the main title.

I'm also wondering if "Quixotic Misadventures" could work. I'm not really sure though. I'm leaning more toward simply "Quixotic" though.

I spoke with the actress friend who told me she showed the script to some other actor friends of hers, and that they dig it, and are interested. I don't have any official place to conduct auditions, so I came up with this idea of getting all of them together over lunch, assign some parts, and read through the entire script, then maybe have some private meetings individually, at later dates. She likes the idea. I asked her if she wants to play a part, and she's been thinking about it, but wants to help out in one way or another, regardless.

Matt Kieley
01-24-2008, 11:45 PM
The actress friend, who was going to help find actors, told me that two actors dropped out of a local stage production she was producing. When she found out I acted in some of my films, and in high school, she asked me to audition. Well, now I just got cast in Stalag 17 as the Geneva Man. We're starting in two weeks, but he's in like two scenes, so that should be enough time. It's both nerve-wracking and exciting. I figure maybe I can get to know some actors in the production--some people I can talk to about being in my film.

Matt Kieley
04-23-2008, 11:34 PM
Wow, I really forgot all about this. So, I did Stalag-17, and it was pretty fun (I'm going to be doing more theatre in the future). I met a few guys. Unfortunately, a lot of the cast members were still in high school--too young to play any of the parts in this film. I did, however, meet a really talented actor, Roscoe Myrick, who's a member of SAG, and has done some TV and film work before. He's going to do the film for free. I shot one scene at the end of February, but I've since had trouble getting things done. So many people have flaked out on me. I'm going to have more auditions soon, and I've been working on another pass at the script. Roscoe and I have become pretty good friends in the time that's passed, and he's stuck with the project throughout. The actress friend mentioned earlier, is also playing a leading part, and has been a strong supporter of this film as well, and is patient enough as I slowly try to get things back together. I've become good friends with her as well. I'm going to write parts for them for all of my films in the future, they're just amazing. So yeah, at lot has happened. I've also created a new title "Asleep at the Wheel". Oh yeah, the three of us have also made a little experimental documentary together. Coming soon.

Matt Kieley
04-26-2008, 03:10 PM
I figure since this forum consists pretty much entirely of filmmakers, I'll put up some technical specs.

I'll be shooting it with my Panasonic DVX100, with my Rode NTG-2 shotgun mic, and cut with Sony Vegas. I'll be shooting in the 2.35:1 "scope" aspec ratio. I was originally going to achieve the aspec ratio with an old anamorphic scope lens (intended for 35mm cameras) I bought, but because the lens has a smaller rear thread than the camera, I have to basically be zoomed in about 90% to eliminate the vignetting. I'd be limited to shooting mostly close-up. Plus I'm going to be shooting in real locations (small apartments mostly) with natural light, and being zoomed in with the anamorphic lens, I'd be losing 3-4 stops of light. Plus focusing an anamorphic lens is difficult, not to mention I don't have any focus pullers working with me. Since I'd have to focus two lenses simultaneously (camera lens and anamorphic) it basically means I'd have to be locked down most of the time, since moving the camera becomes difficult due to focusing. The trade-off to cropping, is that I lose a lot of resolution from an already relatively "low-res" format (Standard Definition DV) but it's more giving photographically. Besides, what really matters is the story and the performances, and I'd much rather focus on that, rather than bungle around with anamorphic lenses. Even if it looks like crap, if the writing and performances are good, the audience will forgive you (unless they're douches).

yupfrank
04-26-2008, 05:51 PM
sounds like a pretty good idea
but it sounds kinda like a web seris
but i cant wait to see it

Matt Kieley
05-12-2008, 03:18 AM
New draft is coming along well. I'm doing tech for a community theatre show in town. I've met a few people in the cast I'm considering for roles. I'm also going take advantage of my connections and hopefully arrange a casting call at the theatre in a couple of week. I've also made a short documentary, which is officially Dogme No. 256, and will be online soon. I want to try and make a feature length Dogme film, perhaps after I finish this feature. Next time I'll do it on purpose, as the doc ended up accidentally following the Dogme 95 manifesto. Plus, it'll be a narrative, not a documentary.

Ladri.
05-12-2008, 07:30 PM
I really want to see some of the script. It sounds really intriguing.

Matt Kieley
05-15-2008, 03:33 AM
PM me your email and I can send you a PDF file when I'm done with the new draft.

Fisherking
05-15-2008, 05:39 AM
This sounds pretty interesting -- I've seen so many zombie/spy movies on Indy Mogul that I've got a real hankering to see someone take on relationships and lurve.

Matt Kieley
05-15-2008, 07:37 PM
A really great local band, The Grizzly Owls, have generously allowed me to use their song "Rifles and Hemlines" in the film. You can listen to the song on their myspace page: http://www.myspace.com/thegrizzlyowls

In return of their favor, I'm going to make a music video for the same song, for the band.

I've also been asked to DP a local "mumblecore" feature film. We start Sunday. Should be fun.

Ladri.
05-15-2008, 07:39 PM
That song is pretty awesome!

Matt Kieley
06-01-2008, 01:51 AM
The seventh draft of the screenplay is finally finished. I'm trying to get my cast and crew together now. After that, I'll be locking locations, and I can get started. I got a job, which is both good and bad for the project. Bad because I'll have less free time, good because I'll have money to put into the project as we go along. Although I'll need way more money after the film is finished than I will during filming. It's only part-time anyway, so it's not too bad.

Matt Kieley
06-28-2008, 02:01 AM
Cast is almost locked. I hope to have a read-through/rehearsal of sorts next week. July 7th is when I'm looking to get started. Now I need to create a shooting schedule. My head hurts.

ninjabros
07-01-2008, 06:03 PM
The BEST of Luck! ;)

BandDfilms
07-01-2008, 06:07 PM
My friend Benn Wheeler

Reminds me of some one who used to be on the forums. Will Wheeler. He was great at making movies

O and i am excited for your movie sounds intresting:thumbsup:

punkandska66
07-02-2008, 03:44 PM
Reminds me of some one who used to be on the forums. Will Wheeler. He was great at making movies

O and i am excited for your movie sounds intresting:thumbsup:


Will was the nice man that made your avatar.

Matt Kieley
07-06-2008, 12:31 AM
Two of my lead actors just backed out, so I have to push everything back once again. I'm going to try and arrange another casting call. Hopefully people will show up, and hopefully I'll find the right people for the roles. And hopefully they'll have free time to devote to the project. It would seem that the movie gods really don't want this to happen. A friend has been telling me about my social awkwardness. and perhaps it's why I can't get people to get behind my projects. She's supposed to be playing a role in the film, but she told me months ago, when sh first read the script and when I first cast her, she was thinking of not doing the film, even though she liked the script, because I was so weird and awkward. We got to know each other better, so my awkwardness around her went away. Am I just too weird? Do I drive people away from working with me because of that?

Black Dawn Productions
07-08-2008, 11:55 AM
A good director has good social skills. You need to be able to communicate with your actors and crew. But anyway, sounds awesome right now! Can't wait.

Matt Kieley
09-09-2008, 06:05 AM
So I'm still alive and still trying to get things done. Things are going very slowly. The cast is still not complete, but there's still quite a few people involved. I need to make a few phone calls. I'm thinking of shooting in December when the scenery is overcast and generally depressing. That would look very nice, plus a lot of actor friends of mine will be on break from college. In other news, a playwright friend of mine wants to turn his wonderful play "Godmakers" into a film, and he asked me to direct. I accepted, although I don't know when we'll be able to get it off of the ground. It's about 40 years in the history of a fictitious comic book company, and the bond that develops between a lesbian comic book writer and her publisher, as they struggle between telling the stories they want to tell, and doing what sells. It take splace from the '40s to the '80s, so you can see, it's much more ambitious project, however, not impossible, as it's a chamber piece. The entire story takes place in the comic book company's office/bullpen.